Here and Back Again
On Monday, Jenifer, Hawk, and I attended the Wellington rally to keep the production of The Hobbit here in New Zealand. Joining us were our friends Jack, Aiko, Grant, and Steve (who's neatly summarized the whole affair here), along with several thousand proud Kiwis who came out to proclaim to Warner Bros., an Australian actor's union, and the world their pride in their film industry.
It's magic in this spot, and now all the more so for the gathering of filmmakers and fans and everyday folk who understand just how important a certain line of creative work has become. More, much more is on the line than money as Warner Bros. decides whether The Hobbit will be made in New Zealand. I can't imagine anything like this positive, peaceful "rally" happening in the States. Not that people there don't join together to support a cause, but here in New Zealand there's a feeling of ownership, a feeling that film itself is a community enterprise. It's been said many times that the Lord of the Rings Trilogy was made not by a director, nor even a team of filmmakers, but by an entire nation.
website). But so far my experiences echo what I've been hearing and continue to hear, again at this rally: that the film industry in Wellington--an industry whose technical infrastructure, indeed its pounding heart, was largely built by Sirs Peter and Richard--is what Hollywood was in its early days. The dream is alive here, where filmmakers are knighted national treasures and joyfully lead a people's collective longing to create something great.
UPDATE 28 October: The Hobbit stays! Check The Noldor Blog for details.