Monday, January 30, 2012

High Summer


The boy is growing. The man watches the boy climb the dusty trail, one step at a time, and wonders if once upon a time he too climbed such a hill, his father climbing up behind him.

The man remembers a snowy field, being pulled on a sled by his father. The weight and firmness of the steel runners cutting through the whiteness. They were far from home, it seemed, in a vast and silent world. He had no idea, the man is sure, of one day pulling sleds or hiking hills.

The boy and his father reach the summit. The grassy path is matted and brown now, the green of the wet winter burned out by the summer heat.

The boy and his father have some food at this spot at the edge of the world. They take in the nourishment of this place. Perhaps they are both growing stronger.

The man is unsettled by the transposition of father and son, boy and man. He wants to linger a bit. But the boy takes his hand and leads him down the trail again.

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Tuesday, December 13, 2011

Somehow It's November

and there are flyers to fly and
bookings to book and
names to remember and the
house needs tidying and buses need riding
and markets need marketing
and the holidays are coming
(with in-laws visiting)
and there is work to be done
and
meetings to call
and bone broth to brew
and stories to tell
and fears to face
and courage to find
a woman to love
a boy to hold
and many, many
miles
to run

But

I look at the boy's face
while he sleeps and
hear the waves pounding on the shore
just outside our little white house and
the windows rattle in the sea wind like
something from a distant age
I once knew and
I remember myself and know that when
I am right here and nowhere else
really right here
I am already
home.

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Tuesday, October 11, 2011

Right There All Over

Tuesday, August 30, 2011

Three!


Here's a tired old joke: one moment your son is being born and dropping into your expectant hands, the next he's offering you a bowl of Noodle Chewbacca soup.

HAWK: I will cook it and you will eat it!
RYAN: I'll get sick!
HAWK: YES!

It goes by crazy fast. And also crazy good.

I'll steal a line from one of Hawk's good friends, the man with the yellow hat: "I'm proud of you. Today, the whole world is proud of you." Happy Birthday, Hawk.

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Friday, August 19, 2011

A Good Day

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Friday, July 08, 2011

New Digs 2.0


One way to draw a woman's ire, if you're interested in that kind of thing, is to move house and then, when asked if you have doubts about the move, to answer honestly that you do. This approach is particularly effective - and I'm speaking philosophically here - if your woman has been the principal architect of such a move, has supported the "direction" you provided, followed the project brief, as it were, to the letter.

In this way we rather suddenly found ourselves living in a beach cottage in the neighborhood of Seatoun, on Worser Bay, on the peninsula of Miramar, Wellington, New Zealand, the World. And if any doubts were expressed and any ire drawn, they were resolved after only a couple days; for living in a beach cottage on the water and across from mountains is pretty damn awesome.

It's not like things weren't already pretty spiffy. The routines, the ways and means, we had them all down to a science. A seven-minute walk to work, another five to the harbor. A Victorian house tucked away in a lush park. A split schedule where Jenifer and I each worked half a day in the office, half a day in the field with Hawk.

A great big abundant life.

We first became acquainted with Seatoun during our first visit to New Zealand. Our tour guide Jack drove our party through the seaside suburb to show us the grounds where Orlando and the Hobbits had trained for The Lord of the Rings. Over the past year, as we contemplated which neighborhood to settle in, Seatoun kept coming back to us. Okay, mostly to me, as such a move would require a wholesale lifestyle change and put us about as far away as possible from the Steiner school we were investigating for our son. But Jenifer plugged away on Trade Me, scouring the listings for houses here, there, and everywhere; and ones we really liked popped up time and again in Seatoun; and we suddenly started making lots of new friends who lived in Seatoun. Eventually Jenifer's logic centers had no choice but to acknowledge the fundamental correctness of my intuition. (Boy, I'm gonna get it.)

Our place is small but cozy and full of what the Danes call hygge, that warm feeling of contentment and well-being that comes from sitting by a warm fire at the end of a long day out of doors. This time around we have a mud room ("the airlock"), a wee back yard, and even a greenhouse, which Hawk already refers to as "the playroom" and which will soon feature a sandbox. The house faces northeast, which means more sunlight. The key feature, though, is the view. Our windows look out on wind-carved rocks (crawling with hermit crabs the size of peppercorns), brilliant green water, the endless passing of ferries and frigates, and an active, welcoming community: walkers, dogs, triathletes, the odd blue penguin. Everyone here seems to keep their curtains open most of the time, and you often can't help but look in (or out) because of the view.


Where Te Aro was wooded, dark, dense, Seatoun is open, bright, airy. As a new friend observed. our move quite literally affords us a broader perspective. Our walking world is now circumscribed not by office buildings and bus lanes but by Scorching Bay to the North and Dorset Point to the South. At the latter Hawk and I now routinely "go an an adventure," a nature hike along the rocky shore that wraps around to Breaker Bay or up the Pass of Branda through the "poky" pine trees of the Beacon Hill Reserve. From here you see the flat blue line of Cook Strait, which separates the North and South Islands. Massive shipping vessels crest what looks like the edge of the world. Here if feels like we are at the edge of the world.

This is our neighborhood now. This is where Hawk will grow up, where he will clamber through the bush with his goblins-in-arms, where he will mount spy missions on unsuspecting hikers and investigate long-abandoned military bunkers and sit in the tall grass of the old Maori pa and listen to the wind.


Shortly after we moved I had occasion to walk by the old place. Passing through the park beneath it, I suddenly felt very clear: our energy had moved on. I had grieved the place, our ways and means, the morning after our move. Now, I smiled in gratitude for our entry into a new world. Our old house protected us, held us during a year that was at times very difficult: one way to make enemies, if you're interested in that kind of thing, is to take over an existing business. Fortunately, it's also a way to make friends.

No, the move was necessary, and if any doubts arose, they did so only because, as is ever the case with leaps in the dark, we are called to make them before we think we are ready. Or maybe that's just how it is with grownups. As Hawk would yell every time before sprinting down the path to our old house: "Two, three, go!"

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Thursday, June 23, 2011

V48HOURS: PLOVER

One thing leads to another, and a chance meeting last year at Christopher Vogler's Writer's Journey workshop at Park Road Post led to new friends and an invitation to join a filmmaking team for this year's V48HOURS Furious Filmmaking competition.

V48HOURS is something of a tradition here in New Zealand. Hundreds of teams around the country submit themselves to the opportunity to create a short film in the span of a single weekend. You don't know until 7 pm Friday evening the parameters that will shape your film. At that time you're handed a genre, a character name and characteristic, a line of dialogue, and a prop. Our prospective locations, theoretically suitable for multiple genres, had been secured over the previous month by producer Carlos Ramirez Laloli and director Dan Lynch. Would we get Western, Musical, Biopic?

My writing partner, Jacob Rosevear, and I worked on the script through the night, turning it over to the production team around 7:30 Saturday morning. After feedback and a quick rewrite, the team was off and running. Afterwards I was, as the Kiwis say, shattered. I managed 90 minutes of sleep and then went to the set. Jacob, God bless him, didn't sleep at all, filming until 9 pm Saturday night.

The cast and crew were terrific. We were all running flat out, and I wondered if our compressed production was anything like the final days (months?) of a major production. Sadly, technical issues prevented our film from competing, but it was still screened a couple days later at the Reading Courtenay Cinema - a big thrill to see our work on the big screen. Enjoy!


Plover - Team CineTrance (2011) from Daniel Lynch on Vimeo.

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