The Blessing
“Ryan.” There it is again, that voice. Jenifer’s voice. I leap out of bed—which you can do when it’s only eight inches off the floor—and into action. The heartrate soars, adrenaline courses, the klaxons are blaring—DIVE! DIVE!—and I am the personification of power and puissance, I am a ninja, I am the wind, and I am fumbling with epic mightiness to fix a sock on Hawk’s flailing foot—and then Jenifer’s voice cuts in again and points out in no uncertain terms that my efforts are “strictly tertiary concerns” (I apparently having vaulted right over those of the primary and secondary orders) and that my attention is needed on the more immediate and urgent task of changing the wee bairn’s diaper.
Yes, of course, I answer, perhaps not in those words. I’m not sure, really, what I say, only I brave the beacon of Mínas Morgul (so I have come to call the ever-watchful blue LED; and, yes, I know in the movie it’s green) and haul baby Hawk into the bathroom for another stint at natural infant hygiene, otherwise known as “elimination communication”; for Jenifer has developed (and I to a lesser extent) the ability to detect his waste elimination needs almost before he does. Sometimes we miss (hence the diaper), but more often than not we anticipate in time and thus enjoy Hawk’s happy attention rather than his unhappy wrath. This, as you can imagine, is exhausting.
And I wonder why I find myself already a week out from the final day of the Screenwriters’ Conference of the Austin Film Festival. The conference was the first time I was away from little Hawk since his birth eight weeks (already!) before. During the summer Jenifer and I had decided that the conference would be sufficiently far away in time that my going would not be an issue; in fact, Jenifer insisted I go.
I had returned to the new world, the one without order or plan, the one that demanded an abandoning of expectation and preference for structure and predictability. In this world, as I have suggested, things tend to take longer to accomplish and at times risk not being done at all. So it was with our planning for Hawk’s baby blessing.
Jenifer’s father joked that, knowing us, we’d enlist an East African shaman to conduct the ceremony. I wish I’d been there to see the look on his face when Jenifer reported that our first choice was, in fact, Malidoma Patrice Somé, noted shaman and elder of the Dagara tribe of West Africa. Unfortunately, his schedule was booked.
On to Plan B: The Great Quentini, a local performance artist known for his unconventional drum kits (fashioned from junkyard scraps), irreverent but heartfelt spoken-word pieces (on the importance of chlorophyll), and genius for unusual hats (carved from foam). But he, too, was unavailable.
I mentioned our dilemma to my local men’s group and one of the guys suggested we require everyone to bring their own blessing. YES! We would have everyone else shoulder the load. Perfect!
That left the location to find. We wanted an outdoor site and had originally dreamed of holding the event atop the nearby Hawk Mountain for obvious reasons, but with October you never know what kind of weather you’re going to get and we had mobility concerns to take into consideration for a couple of our guests. For a time the leading contender was Wayne’s Woods (named for General “Mad Anthony” Wayne) in the Valley Forge National Historical Park, but here there was no guarantee of freedom from crowds.
Afterwards Hawk’s two families spent the remainder of the afternoon at Chanticleer Garden, followed by dinner in downtown Wayne. The day had been perfect, the weather beautiful, and finally the time came for our families to part ways. Jenifer and I decide to take “the back way,” as we often do, and here that means a passage through Valley Forge Park. But Hawk’s cries of hunger mean that we have to stop for a feeding, and Jenifer and I smile at each other as we recognize that the only stopping place is the great Arch. This stone monument is one of my favorite places, a sanctuary.
Darkness falls and Hawk finishes. Only it isn’t dark, not entirely. We get in the car and, guided by moon and stars, find our way home.
Labels: Austin Film Festival, Chanticleer Garden, Hawk, Jenifer Parker, ocean earth wind fire, Phoenixville, tertiary concerns, Valley Forge National Historical Park
1 Comments:
Great post. Almost as moving as the blessing itself.
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